Carbon dating brockley theatre

Before entering the auditorium, spectators are enjoined to announce their dating status with stickers of different colours.Parrott then welcomes them inside in character, using the stickers to interact with newcomers.Read More » Ron Elisha Directed by John Fricker★★★ Pros: A well-polished production featuring quick-wit and down-to-earth sketches from the frontlines of first dates.Cons: Low stakes and a weak point of view create a sketch comedy feel, so the show lacks real weight.The set design, a restaurant with a very unusual menu of Specials, adds the finishing touch to the fun atmosphere. Elisha’s text itself might contribute to this loss of energy, for it, too, fails to honour its promises.Right after the cast makes its entrance however, buzzing across the stage in their anxious preparations for a date night, the pressure falls. Trapping characters in the dating circuit is not a new premise, but one that nonetheless retains potential for character development and a discussion of love and society. His characters never learn or grow, with the possible exception of Lola who hints at a change in her final line.If you loved the 2009 film, He’s Just Not That Into You or other similar romantic-comedies, Out Fox Productions and the Brockley Jack are currently running the production for you.Carbon Dating is an abbreviated adventure through a series of first-dates gone wrong that ranges from awkward to adorable.

Harvey shines as Lola, winning the audience over with her charming naïveté.Playwright Ron Elisha presents the dating shenanigans of eleven interconnected individuals.Chloe (Laura Evelyn), Giselle (Morwenna Loughman), Sienna (Helena Doughty), and Nel (Caroline George) attempt to move on from the perfect Stewart (Igor Medeiros); Lola (Lauren Harvey) seeks a soul compatible to her own; Chase is after the trophy wife that will show his Armani suits to advantage.Pros: Subtlety, hilarity and tragedy in equal measure Cons: Restatement of character qualities becomes repetitive in just a few places, but that’s it Based on a tidbit of information that philosopher Ludwig Wittgenstein spent a period pushing trolleys at Guy’s Hospital during the Second World War, writer Ron Elisha weaves a rich narrative that, in just over an hour, explores philosophy, language, literature, religion, and an intriguing relationship between an Austrian ex-professor and an illiterate Cockney amputee.The performance took at Omnibus Theatre, and the ...

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